After testing a lot of products, we have selected the 8 best mirrorless digital cameras for 2019 which are mentioned below. In our experiments, we have found these products most consistent in performance and true value for the money.
PANASONIC LUMIX G7 4K Mirrorless Camera
The Panasonic G7 is a direct descendant of the first ever mirrorless camera. Yet, despite this, the last thing it’s trying to be is a mirrorless camera. Instead it’s trying to be a non-specific interchangeable lens camera: a camera where you don’t have to think about whether it has a mirror or not.
As a result it looks like a… miniature DSLR and includes all the control points you’d expect. In fact it includes all the control points you’d expect from a mid-range DSLR, including twin control dials as well as plenty of buttons and switches. However, because it is a mirrorless camera, it is able to make good use of its fully articulated, touch-sensitive screen.
The specifications are pretty solid, too. 16MP isn’t exactly cutting-edge at this point but 4K (UHD) video remains something of a rarity (at the time of writing), especially if you factor-in the fact that the G7 also offers focus peaking and zebra highlight warnings – two of the key tools necessary for shooting useable video that are often absent from its peers.
Sony a7 III Full-Frame Mirrorless
Despite its billing as a ‘basic’ model, the Sony a7 III is a supremely capable full frame camera. Though it doesn’t have the most megapixels or shoot the fastest bursts, its well-judged mix of resolution, speed, features and price point make it an easy recommendation for all kinds of photographers and all kinds of photography.
Compared to its predecessor,… the Sony a7 III has been updated in almost every way; when compared to other similarly priced full frame options, the a7 III looks to be a cut above in many respects. For generalist photographers, wedding and event shooters and even sports specialists, the a7 III gets an awful lot of things just right. But as with previous Sony mirrorless full-frame cameras, there are some foibles that persist with this new model.
Despite its relatively affordable price point, the Sony a7 III is one of Sony’s most capable interchangeable lens cameras for video to date.
PANASONIC LUMIX DMC-G85MK G85
Designed for video and stills shooters alike, the Lumix DMC-G85 from Panasonic is a versatile Micro Four Thirds camera characterized by its quick performance, flexible photo capabilities, and UHD 4K video recording. Using a 16MP MOS sensor, this mirrorless camera has a sensitivity range from ISO 200-25600 to suit working in a variety of lighting conditions, and also affords quick shooting speeds up to 10 fps with single-shot autofocus, or 6 fps with continuous autofocus, as well as up to 40 fps when using an electronic shutter function and 30 fps at 8MP with 4K PHOTO Modes.
Complementing the imaging attributes,… the camera also incorporates both a 2.36m-dot electronic viewfinder as well as a 3.0″ 1.04m-dot touchscreen LCD, which has a free-angle design to better enable working from high and low angles. Built-in Wi-Fi is also integrated into the design, which facilitates wireless image transferring and remote camera control from linked smartphones or tablets. Additionally, the body construction is weather-sealed to guard against dust and moisture for working in inclement weather conditions.
Included with the camera body is the Lumix G Vario 12-60mm f/3.5-5.6 ASPH. POWER O.I.S., which is a standard zoom lens that provides a 24-120mm equivalent focal length range. Its optical design incorporates three aspherical elements and one extra-low dispersion element to reduce both chromatic and spherical aberrations throughout the zoom range. POWER O.I.S.
Sony Alpha a6000 Mirrorless Digitial Camera
The black Sony Alpha a6000 Mirrorless Digital Camera is a versatile and advanced mirrorless camera featuring a 24.3MP APS-C-sized Exmor APS HD CMOS sensor and BIONZ X image processor to produce high-resolution still images and Full HD movies with marked low-light quality and sensitivity to ISO 25600. Beyond notable imaging traits, the image processor also lends itself to continuous shooting up to 11 fps.
And an intelligent Fast Hybrid AF system… that uses both phase- and contrast-detection methods to quickly and accurately acquire focus. For live view monitoring, image playback, and menu navigation, both a large rear monitor and detailed electronic viewfinder are available. The 3.0″ 921k-dot XtraFine LCD screen features a tilting design to facilitate easier use from both high and low angles and also incorporates WhiteMagic technology for easier viewing in bright conditions.
The 0.39″ 1,440k-dot Tru-Finder OLED EVF offers 100% frame coverage and a refined optical design to provide a natural viewing perspective and magnification. The body design of the a6000 also houses a configurable user interface, built around several customizable buttons and two control dials, for efficient and intuitive access to frequently used camera settings. Additionally, a Multi Interface shoe is available for attaching external flashes, continuous lights, or microphones.
Olympus OM-D E-M10 Mark II Mirrorless Digital Camera
JPEGs are generally good up through ISO 800 and still usable up through about ISO 1600; by ISO 3200 they look smeary and soft, though depending upon the photos and your needs you could get away with them through the top of its sensitivity range, ISO 25600. Processing the raws delivers more detail starting at about ISO 1600, as well, though they’re grainier because you’re not gaining any tonal range out of it.
The colors are neutral and accurate… — it nailed some difficult reds and pear green/browns that most cameras don’t get right, though red peppers in the JPEGs were slightly cool (and correct in the raw). But they’re still pleasantly saturated.
The new sensor in the camera yields far less crunchy-looking images than from the original E-M10, though the in-focus areas have that slightly oversharpened look that I see a lot from the four-thirds sensors. And (unsurprisingly) you do get significantly sharper results — which extends the usable ISO sensitivity range — by using a better lens than the kit’s.
Sony a5100 16-50mm Mirrorless Digital Camera
Offering the speed and versatility required by multimedia photographers, the black Alpha a5100 Mirrorless Digital Camera from Sony combines a high-resolution sensor, hybrid AF system, and apt video recording capabilities, all within a compact and convenient form factor. Pairing a 24.3MP APS-C-sized Exmor HD CMOS sensor and BIONZ X image processor, this camera is able to record up to 6 fps continuous shooting with notable sensitivity to ISO 25600.
Full HD video recording is supported… in the high-quality XAVC S codec, with the ability to shoot at 1080p in 60, 30, or 24 fps frame rates. Complementing the multimedia imaging capabilities is the Fast Hybrid AF system, which pairs 179 phase-detection points with 25 contrast-detection points to deliver fast, accurate, and consistent focusing abilities. The a5100 is poised to deliver the all-around performance desired by contemporary photographers while still maintaining the convenience needed for everyday shooting.
In regard to handling, the a5100 sports a sleek design that is characterized by a large 3.0″ 921.6k-dot LCD monitor, which features a 180° upward tilting design to permit easier viewing from both front-facing and above angles. Furthermore, the LCD is also a touchscreen, which permits intuitive control over image playback and menu navigation.
Canon EOS M50 Mirrorless Camera
If you’re looking for a mirrorless camera that offers great image quality, is easy to use and has a decent autofocus system, the EOS M50 is a great choice. If you’re looking for a more rounded camera with a greater breadth of features and system support, however, there are better options out there.
The EOS M50 is Canon’s latest mirrorless camera,… extending its M-series range from three to four. While it has a similar silhouette to the flagship EOS M5, the M50 sits further down the range, slotting in between the entry-level EOS M100 and the more mid-range EOS M6, and is designed to appeal to those looking to upgrade from a smartphone or basic compact camera.
The EOS M50 features a 24.1MP APS-C CMOS sensor, with a sensitivity range running from ISO100-25,600, which can be expanded to 51,200. Canon says this is the same sensor as in the EOS M5, M6 and M100, and that the slight difference in the number of effective pixels is due to the presence of a new image processor: the M50 is the first Canon camera – DSLR, compact or mirrorless – to feature the company’s latest DIGIC 8 image processor.
Fujifilm X-T20 Mirrorless Digital Camera
The Fujifilm X-T20 is a midrange SLR-styled mirrorless camera that sits above the X-E2S and below the X-T2. The X-T20 replaces the X-T10 and offers a host of new features, including Fujifilm’s latest 24MP CMOS sensor and image processor, faster burst shooting, any improved autofocus system, 4K video capture and more. In many ways, it’s a smaller, less expensive ‘little brother’ to the X-T2, a camera that earned a Gold Award when we reviewed it last year.
The X-T20 finds itself in a competitive… field of both ‘mirrored’ (DSLR) and mirrorless cameras. Buyers are likely to find themselves deciding between midrange DSLRs like the Nikon D5600 and Canon EOS 77D, as well as mirrorless models such as the Sony a6300, Panasonic GX850 and the Olympus E-M5 II.
The X-T20 is more about the overall package than one or two specs that standout. That said, the 24MP sensor has proven its worth on the X-Pro2 and X-T2, and the AF system has also been refined in a good way. The EVF is a pleasure to use, though the touch functions on the tilting LCD are limited. The burst rate hasn’t changed since the X-T10, but the buffer size has been dramatically increased. 4K video has also been added, helping to keep the X-T20 at an even level with the best of its peers.